All this adds up to a price breakthrough in sampling technology – the new Akai SXL. SXL Operator’s Manual Page 1 INTRODUCTION FEATURES. Hi! Is there anybody who have the manuals for the AKAI S and S? I have searched all the net, but came up empty:(I have e-mailed. S Owners Manual download. SI Owners Manual download. SXL Owners Manual download. S Owners Manual.

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The selection made here also affects the format of the audio as it appears in real- time at the digital audio output i.

Akai S3000XL User Manual

Product rating out of 5: Polyphony – 32 voice. For non-numeric values i.

As described above, this can be used to smooth out abrupt transitions between keygroups. For example, you would want a closed hi-hat to stop an open hi-hat. Even if you’re a seasoned programmer, we hope that there is information in this manual that you find useful. If you have just switched the SXL on with no disk in it, you will have the four synth waveforms in there.

Akai S | Vintage Synth Explorer

This sets the overall pan position of the program. A lot of modern equipment just doesnt have the build quality of these. Using The Sxl In ‘old Akai’ Mode If you have used Akai samplers before, you may well wish to continue working in this way but, if you are new to our samplers welcome! If, however, the samples have no pronounced attack i.

Overlapping And Crossfading Keygroups If you have already owned an Akai sampler, then you will probably be familiar with a lot of what we have just seen but, aai this is your first time with an Akai sampler, it is worth taking the time to get a fairly good understanding of these principles and the concept of keygroups if you are going to get the best out msnual sampler. The parameter, Keygroups in Prograh: Of course, there is no reason why you shouldn’t use LF02 for vibrato either and mixing it with LF01 as a source of vibrato can create some rich ensemble textures.

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To achieve this, simply set part 4 to MIDI channel 2, the same as the piano.

Akai S3000

If a program’s priority is set to HOLD, notes from this program can only be stolen by the same program. All other programs will be unaffected. III1S13 This takes you to the TUNE pages where you may set the program’s overall tuning as well as select and create alternative tunings and temperaments.

This shows a blank, empty song or take list. Page This shows how much space is left on the disk for recording. This may also be useful in simulating the tremolo effect found on organs. SMP2 The top line of the screen is exactly as in SMP1 and displays the currently selected keygroup’s note range and keygroup, whether you are editing one individual keygroup or all of them as well as the program name.

Keygroups may be freely assigned to the individual outputs for external processing on a mixing console. This allows you, for example, to play sequenced backing tracks directly from the SXL. Env1 Use this to create pitch sweeps that vary according to the sounds overall level. Page HOLD loop.


You can even use this wave to control LFOI’s rate so that not only will pitch, tone or whatever modulation input this LFO is assigned to be random but the speed of modulation will change randomly.


For example, you may have loaded some acoustic basses, an electric bass, a slap bass and some synth basses – as the sequence plays, scroll through them, trying out different ones till you find one that suits the track. To overcome this, by assigning all the keygroups to the same mute amnual, although the program is monophonic, as you play across each keygroup, so those keygroup’s samples will play in turn and, in the above example, you would be correctly playing the 02 sample on When recording digitally, the bottom line of the display shows: You will note that for there to be any effect, the frequency: Press it again to hear the other channels.


You will note that these outputs are polyphonic and can use the full voice polyphony of the SXL. To receive automated replies be sure to add a valid email address!

Other non-pitched samples such as sound effects, breakbeats, drum loops, etc. Because only one MULTI can exist in memory at any one time, you cannot copy the multi file, only rename it. Email supplied but hidden http: To do this, press the key. Please refer to the main SXL. Bypassing The Modulation Effects Akal final selection in the modulation effects section is not an effect as such but bypasses the modulation section completely, thereby switching it out of the effect chain:

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